Testa (007 Testa series)
Original work on paper
- • Work on 210 gr Fine Art paper with Canon LUCIA PRO matte pigmented inks. Unique copy.
- • 297x420 mm. approx.
- • Matte varnished. Paper treated for durability without tone changes, acid free and PH neutral. 80 years under normal conditions, up to 200 years under glass and museum conditions.
- • Colour, dust and UV protection.
- • Signed on the front.
- • Authenticity certificate attached.
It is usually prepared in less than 7 working days, and sent door to door in service 48h for Spain.
For security reasons in transport it is shipped unframed. All reproductions have a standard framing size of 21x30cm (8x12" approx) or 30x40cm (12x16" approx). Original works have variable size, see above.
Shipping worldwide (within 5 working days once ready).
The author reserves the right to produce a printed edition.
This work has been made with manual and digital means, and then printed in museum quality to create its original. It is an original work, a unique copy in A3 format.
The work talks about looking away.
This figure, immersed in shadows and lights, is an allegory of impossible love. The direction of her gaze, lost in the horizon, symbolizes the constant search for the gaze of the loved one, that visual connection that never materializes. The absence of return in that gaze creates an empty space, a palpable loneliness that extends beyond the frame, invading the viewer's space. Unrequited love is materialized in this image, where each shadow and each light reflect the emotions that arise when affection does not find an echo. The work, in its silence, speaks of longing and resignation, of hope that persists even when reality seems to deny it. It is a portrait not only of a man and his gaze, but of the human experience in its search for connection, love and understanding.
This work has been generated from old parts of digital images, together with new graphic elements and the latest technology in digital image generation. The appearance is that of a vintage-digital or low graphics work, but printed in museum quality that makes its colors remain for 200 years in museum conditions.
The author reserves the right to produce a printed edition in a smaller size (A4) with a white margin, exclusively.
Specific References
- ean13
- 978020137962
4 other works in the same category:
Guide to symbols in the work of Bran Sólo
The sea: Infinite place of calm, love, perfection, home. | |
Teeth: Pain, loss, fear. | |
Tentacle: Attempt to reach, to contain, to trap. | |
Houses in flames: The home that has been left behind and to which we can never return. Burning the past. To forget. Sometimes it burns and disappears, sometimes it is engulfed by the sea. | |
Hand with open eye: Hope, saved from shipwreck. | |
Key at the bottom of the sea: Secrets. | |
Couple of swifts: Love, dependence, union, couple. | |
Big ears: Proof that the character is undoubtedly a good person. A child with big ears has to learn to be a good person to survive. | |
Marks under the eyes: Sadness, dark circles under the eyes, sleepless nights. | |
Neck marks: Beard, maturity, masculinity. | |
Circle in the throat: Anguish, choking, lump in the throat. | |
Narwhals: Narwhals cannot be kissed. | |
Shipwreck: The frustration of unrequited love. | |
Constellations: A guide to understanding the incomprehensible. Many of the constellations are random, but they surely exist somewhere in some world. | |
Red plant: Emotions trying to escape. This plant, Man's Love (Tradescantia) grows everywhere, especially in the cracks between the rocks. The body is the rock, the heart a crack, and from there grow the feelings that try to escape and grow towards the infinite, in search of that which we all long for. | |
Deformed, blurred eye: Reference to the artist's visual impairment. Fear of blindness. Single point of view. |